![]() Indeed, Blood Simple has a very wicked sense of humor, and even though it is not a show-off piece it takes great pride in its visual appearance. However, these films work as well as they do for two drastically different reasons. It has obvious noirish qualities and seems perfectly happy to promote them, but it is a lot easier to profile simply as a stylish piece of Americana. One False Move is a lot like Blood Simple. ![]() So, even though nowadays many of these films are rightfully regarded as great cult films, when they were first released too many of them struggled mightily to just stay alive. It needed support too, and it took some time for casual viewers to discover it. You may have forgotten, or simply do not know, but Joel and Ethan Coen's Blood Simple, which came out a little earlier, wasn't exactly an instant mainstream hit either. For example, John Dahl's directorial debut, Kill Me Again, popped up on the radar of a lot of casual viewers only after he made The Last Seduction. Sound strange? Well, it shouldn't because this is a fate that is shared by a lot of other independent American films from the early '90s. ![]() ![]() According to Franklin, it was because of the enormous support of Gene Siskel and Roger Ebert that One False Move received plenty of theatrical exposure and then went on to acquire something of a cult status. It would have been a crime if Carl Franklin's One False Move had disappeared into oblivion, which apparently was a very real possibility. In English, with optional English SDH subtitles for the main feature. The supplemental features on the disc include new program with actor Michael Beach new program with actress Cynthia Williams new program with editor Carole Kravetz Aykanian new audio commentary was recorded by director Shaka King and producer Brandon Harris vintage trailer and more. Svet Atanasov, June 28, 2022Ĭarl Franklin's "One False Move" (1992) arrives on Blu-ray courtesy of Via Vision Entertainment. And if the finale, inevitably, is a bloody shoot-out, the underlying message, for once, is decidedly upbeat.Reviewed by Dr. It's a riveting performance, one of many in this emotionally complex thriller. Williams' Fantasia is a classic loser, a tortured soul bound by the past, pathetically unable to escape the present. Cutting back and forth between the criminals - increasingly desperate - and the cops, he insidiously unearths past secrets which link the two parties in a quite unexpected way, carefully balancing his first-rate cast with the cat and mouse game unfolding. Modelled on Fred Zinnemann's High Noon, this cracking modern day Western has a neo-noir realism that echoes the Coen brothers' Blood Simple.įirst-time director Franklin, a former actor, proves himself remarkably adept behind the camera, wringing the plot for every bit of tension, then sitting back and letting his cast stew in it. cops (Jim Metzler, Earl Billings) - are lying in wait. Heading for Star City, Arkansas, where both Ray and Fantasia have family, the fugitives are unaware that another unlikely trio - Star City's hick police chief "Hurricane" Dixon (Paxton) and two streetwise L.A. Three desperadoes - ponytailed, coke-snorting redneck Ray (co-screenwriter Thornton), his mulatto girlfriend Fantasia (Williams), and bespectacled black pyscho Pluto (Beach) - are on the run from Los Angeles following an underworld drugs heist that has left six people dead.
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